Frequently employing dark glamour and a wry deliberate humour, Halls’ paintings depicting female impropriety offer a riposte to self-censure. Halls is drawn to investigate the meaning of cultural trends and invites the viewer to reflect on the interplay of gender, class, sexuality and spectatorship.

My work using laughter explores ways of depicting women's internalized rules of conduct and my perception of their conflicted ever fluctuating response to external expectations. I'm interested in posing questions about the ways in which within contemporary culture women are appraised, influenced & policed and how this 'self- surveillance' circumscribes the repertoire of legitimate actions available to women. Many of the subjects of my paintings offer a riposte to self-consciousness, they often teeter on the verge of indulging in 'catastrophic' behaviour, or at times topple over. They may be inappropriate and immune to self-censure. When I paint images of women laughing, eating or interacting I am always cognisant of the fact that the most seemingly innocuous actions can be subversive, just as acts of transgression may be foregrounded by the prosaic.

In making such work I have been inspired by writers such as Hélène Cixous, in particular her groundbreaking pieces such as 'Sorties' and ‘The Laugh of the Medusa’, in which she dissects the assymetrical relationship between sex and power. When I paint images depicting female pleasure, excessiveness or impropriety I think of Cixous, her ideas and her stories. She shows us how resistance can take many forms.

- Roxana Halls